I "met" Armand Rosamilia a while ago. He was kind enough to include a then relative stranger on his Summer of Zombie Blog Tour. A Jersey boy living in the retirement Mecca that is Florida, he spins a wicked zombie yarn and only looks scary. I give you Armand Rosamilia...no seriously, he's yours...take him....
Your
Summer of Zombie Blog Tour seemed to
be a real success. Any plans on doing that sort of thing again…or did it just
eat too much of your time? Lessons learned?
It definitely
ate away my time, but I chalk that up to time spent promoting. Instead of
wasting time flailing away in random directions promoting my own work, I got to
get focused and help all six of us. I'm hoping to do another one in the near
future, maybe a Winter of Zombie for three weeks, and definitely another Summer
of Zombie blog tour next year. Ideally, keep about three of us in it and add
three new zombie authors to keep it fresh. Something like that.
What
are some of the lessons you have learned as a writer that caught you off guard?
That my
discipline needs constant work. On paper, 2,000 words a day is no big deal,
especially when the ideas are flowing. Yet, I will struggle to meet that goal
and sometimes have to force myself to stay in the chair and not watch a movie
or go swimming or take a nap. Then, I get days where I get up, and don't get
distracted until 5,000 words is done in a couple of hours.
The
“contributor’s copy” anthology has been taking a beating in some of the social
media circles lately. Where do you stand on the subject?
I don't think
every publisher can offer pro rates, but they should offer something, even if
it is a token payment. Heck, I only offer $3.00 plus royalty share for Rymfire
Books anthologies. I know it is nothing, and I know some people won't work with
me because of it. I'm fine with that because everyone has their own career path
to follow. But there comes a point when you have to figure out if this is a
hobby or a career, and you can't build a career with free.
You
have A LOT of followers on Twitter and Facebook…explain. You aren’t a warm and
fuzzy kind of guy. So what is the secret?
Some might call
me gruff… like you, Todd. I have an obsessive personality, so when I put my
mind to something I run it to the max. As an example, as a kid I loved
collecting Boston Red Sox baseball cards. I'm a huge fan. A normal kid would
try to get one of each card from each year. Not me. I amassed over 1 million
Red Sox cards by my mid-twenties and was featured in a hobby magazine about it.
Obsession. I'm currently over 14,000 Twitter followers, and I got them one at a
time. No gimmicks, no paying for them. I've devised my own formula for getting
followers into horror, zombies, heavy metal, steampunk and me.
What
could traditional publishing learn from the Indies? And how about the other way
around?
Traditional
publishing needs to learn to adapt quicker and bend their own rules. Most
traditional publishers are still putting out the same formulaic book, one we've
been reading forever. That being said, the indies need to stop dumping a ton of
books into the system before their time. Quantity over quality is not a
long-term way to grow. People always bitch about indie books being unedited and
badly formatted. While I hate blanket statements, we still need to do our part
to make sure our books aren't that way and stop giving people something to
complain about.
The
writing community can be its own worst enemy at times. What are some of the
issues you see cropping up in the Indie world? Solutions?
I told this to
another writer on the phone last night (Vincent Hobbes, a great author): It's
like the comic book boom of the eighties. Everyone jumped on the bandwagon,
buying hundreds of copies of limited edition covers and special issues,
thinking they'd get rich quickly. It never happened. I see this mentality in
writing: everyone trying to put out their book and expecting the money to flow
in. When it doesn't they attack reviewers, Amazon, other writers, and blog
crazy things, thinking if they shout loud enough people will read their book.
It always backfires. And we all know someone like that, which is sad.
The
social media is…
Orange. How's
that for abstract? Overwhelming at times. It is a time crusher, an ego booster,
and we no longer write alone in the corner of the living room with no
interaction. When I started seriously writing in the 1990s, you wrote and then
crossed your fingers you could find a market for the story. Now, with the
internet, you have a dozen choices to write to. If your story doesn't sell, you
publish it yourself. There's no risk of wasting your time, because there is
this huge audience waiting to read you. You hope.
Share
some information about your work with us:
I guess my
'bigger' books are the Dying Days series of zombie novellas. I didn't
start out to be a zombie guy, but I seem to get the most response from my
character-driven zombie stories. The next book, Still Dying: Select Scenes
From Dying Days, will be out in the next few weeks, and then I have three
more books planned.
What
is one question you are sick of being asked—not in interviews, but by
individuals who know you write?
I've gotten several
people who, when I say I'm a writer, will tell me they'll be going to WalMart
in a few hours and will look for my book. When I tell them I'm not in WalMart
they ask a hundred questions, but it's really one question: why the hell aren't
you in WalMart? I never knew for some people that meant you'd made it.
How
do you deal with negative reviews?
I find out where they
live, their children go to school, and map the routes to all their relative's
houses… heck, what can you do? You suck it up. If a review is critical I want
to know why. I'll take a one star review as long as you tell me what you hated
about it. To me, any review helps. You might only like fast zombies and
hate my slow, shambling ones and say it in the review. The next person might
read that and think it would be a perfect fit. I never respond to them.
Everyone has their own opinion and even 'classic' books have tons of bad
reviews.
How
much reading do you get in, and can a writer excel at his or her craft if they
do not read?
Didn't Stephen King say
over and over you have to read in order to be a good writer? I agree. I spend
at least an hour every night before I fall asleep reading something on my
Kindle. Anything. I might read a thriller today and a biography tomorrow,
followed by a horror short and then a how-to book on pinterest.
When
does self-promotion cross the line and become a nuisance?
When that's all you do.
How many commercials do you really watch? After awhile you automatically tune
them out. Same with constant barrages of promotion. I find that if I post
constant links to my work I sell a book a day. If I re-tweet great author's
tweets and blog posts I want to be associated with, I sell ten a day. If I am
just myself, interact with followers and people and be myself (even though some
say I'm gruff) I sell fifty books a day.
What
projects are you currently working on?
I'm always working on
three projects at a time. I can't help it. Right now I'm writing the first
draft to my Death Metal sequel, Death Cult: Death Metal 2. I'm
also working on Dying Days: Origins, a prequel tale for one of the DyingDays characters. And a zombie novella that doesn't fit into the DyingDays world that I plan to shop to a certain publisher I really admire and
want to work with.
What
is one thing about you that would surprise the readers who do not know you
personally?
I'm not that gruff. So
stop saying it. Now. I am actually quite humorous and have a sarcastic, dry
humor. I am definitely a Jersey boy and it shows. But one thing that might
surprise you is that I might look like a biker, a pro wrestler or Kerry King
from Slayer, but I am actually a quiet teddy bear in person.
Tell
us a secret.
I cry watching chick
flicks. Even sappy moments gets me teary-eyed. I watched Contagion last
week and cried at the end, with the U2 song playing. I cried watching the Billy
Joel/Shea Stadium documentary. I cried watching ET as a kid in the theatre when he died.
Is
there anyone you’d like to give a mention?
There are a few writers
out there that I love reading. I have no stake in their sales, no pat on the
back for being my buddy, they just rock as horror authors. Mark Tufo is a
zombie genius with a rabid fan base, Bryan Hall is an up and coming horror
author and his Southern Hauntings series is going to be huge, Tim Baker writes incredible thriller books set in the town I'm living in and we're
working on a book together, and Billie Sue Mosiman is a prolific author who's
been in the game a long time and offers help and advice, besides great stories.
I'd also mention Todd Brown (editor's note...the five bucks is in the mail) as a favorite zombie author as well.
What
is in your “to be read” pile right now?
Let me grab my Kindle…
the order I will be reading the next few eBooks: Mark Edward Hall Library
Vol. 1, Cutlass: Ten Tales of Pirates anthology, Epitaphs: The Journal
of the NEHW anthology, 450 Things You Didn't Know About the Boston
Celtics, and Skin Trade by Tonia Brown. And the other 457 books in
there.
Thanks to Armand for not only taking a time out to share some time, but also for being an increasingly good sport as he gets flooded with stuffed grouchy teddy bears once his fans get a hold of this interview.
No comments:
Post a Comment