The Reawakening: The Living Dead Trilogy Book I (Volume 1) by Joseph Souza
My rating: 2 of 5 stars
Usually, Permuted Press offers up some of the best in the zombie genre. They have given us J.L Bourne, Kim Paffenroth and one of my favorites, Tony Monchinski. Sadly, this was not a book that I could give the same praise to. The story has some decent ideas, but the characters are simply dreadful. That is the only word that I can come up with. I won't belabor what others have already said, but the ineptness of the scientist, the over-the-top stereotypical 'religious nut' and some inconsistencies that just become too frustrating. Also, you do not "absolve" and amendment, you abolish it. I could nit pick, but that is not my style.
All I can say is that, in my opinion, Permuted has given me some GREAT reads over the years. This just is not one of them.
The more personal musings of the author TW Brown.
Pages
The MDP library...
Monday, December 31, 2012
Saturday, December 29, 2012
A year in review...sort of.
This is the time of year where many people like to create lists. "The Top 10" this and "Best of..." that. But really, do you need somebody else's list to tell you what was good, bad , or otherwise? I doubt it. Plus, you have probably read enough of them in the past few days to the point where you are sick of them.
What I want to share are just some of my highlights. I figure it would be nice to open the doors to my world for a few minutes and let you see a slice of what made 2012 a pretty good year for me. Of course, topping the list is my reunion with my daughter Ronni after 16 years. I can not begin to describe that event. I can't share what it meant every night that she was here to be able to tuck her in and kiss her forehead and hear her say, "Night, Dad." To take her out and teach her to drive, and to hear how excited she was to tell everybody about how she drove on the freeway.
In my professional life, I am now the editor for two writers that I respect a great deal. I was recently hired by Mark Tufo (author of the incredible Zombie Fallout series) and John O'Brien (author of the thrilling military-minded zombie series- A New World) to edit their work. This might not seem very exciting to many, but for me, it was a validation of all the hard work that I have put in learning the craft. Simply put, the written word is a tricky monster. I continue to learn more each day as I am not ever satisfied that I "have it down" to the point of perfection.
This past summer, I was invited to participate in "The Summer of Zombie" blog tour by another of my compatriots, Armand Rosamilia. I didn't really know him that well when it began, but I can say that I have met somebody that I call friend in the real sense of the word. Very few individuals have his heart...and I hope that he will extend the invitation this coming summer.
Did I mention that I saw my daughter?
On other fronts, I put out a few books this past year. One of them I owe entirely to my friend, Vix Kirkpatrick. She refused to accept that the Zomblog series was over. Because of that, I wrote the fourth book in that series, Zomblog: Snoe.
It is set almost 20 years after the first book and paints a picture of a world that is searching for direction. This is the first time that I consciously set out to put an underlying theme to my work. How much of who we are is predicated on our biology, and how much is our environment? I will write two more books, and then that series is OFFICIALLY complete.
The highlight for me as a writer was the release of Dead: Winter. At the time, it was the best sales numbers on a new release to date. It flirted with the Amazon Top 100 in horror, but did not quite make it. Still, it was (and remains) a consistent seller. And to be honest, that is why I am able to do what I love for a living. To write is a dream, and I will never quit. However, to write for a living is more than I could have ever hoped for.
Then, just a few days ago, on December 15th, (the same day that I would pick up my daughter at the airport) I released Dead: Siege & Survival. It has blown everything else out of the water as far as release numbers. I realize that there are lots of people who sell far more books than I, but I measure myself against MY goals...not other people's. The release of the 5th book in the DEAD series has had the added benefit of pushing my Amazon Horror Author Ranking up to the top 100 where I usually bounce around between 75-100. Again, I know it might not seem like much to some, but considering where I have been...this is a personal victory that holds meaning for me.
Oh...and I saw my daughter after 16 years...did I mention that?
What did not happen this year was any sort of apocalypse. Mayan or otherwise. December 21st was another Y2K...or Capone's Vault. A lot of hype...and no substance. That's okay. Honestly, things were just starting to look up for me...so an apocalypse would have really screwed things up. Denise is back to work (AND working on a second Master's), my writing is starting to generate a modest income...and I got to see my daughter.
So, since you've read this far, I will put in a tiny list of highlights in the horror genre. Here were some books that I REALLY liked...IN NO PARTICULAR ORDER!!!
- Chocolate Covered Eyes by Lori Lopez
- The Book of Riley (Part 1 & 2) by Mark Tufo
- Wormwood by Michael James McFarland
- Miami Spy Games by Armand Rosamilia
- Tales From the Mist (Anthology) by various talented authors
In closing, I want to mention a few people. The names will mean little to many, but these people each have a special place in my heart. So, if you want to skip the gushy stuff and are fairly certain you are not going to be mentioned, then just accept my gratitude for reading my work and allowing me to pursue my dream. Stay safe and make 2013 the best year possible.
Catie Rhodes, thank you for being a friend. This year had ups and downs, and you stepped in not giving a whit about the past to be my friend. For that reason alone, you will always be just exactly that to me...a friend.
Armand Rosamilia, you brought me in on my first blog tour. You turned a deaf ear to a few haters and extended a hand in friendship. I hope that we get the chance to sit down to dinner some day.
Mark Tufo, not only did you hire me as your editor, but you have sent others my way with recommendations that almost make me blush. You didn't even know it, but you play a huge part in my being able to do what I love for a living. I hope we get the chance to sit down and maybe play poker and tell stories some day.
Valarie Griffiths Brown, Woodstock, what can I say? You are just as sweet as ever and seeing you on stage this year was a treat. I wish we could get together more often.
Jamie Smith, what can I say? You and I have known each other for DECADES. You know exactly how I feel. And perhaps we will someday "Do the TIME WARP AGAIN!!!"
Last, but not least...Vix Kirkpatrick. My dear friend...even though we can not talk as often as we like, your friendship means the world to me. While some writers may have more fans...I got them beat by a mile because YOU are my friend.
To all, have a safe and happy 2013.
Thursday, December 27, 2012
Wormwood by Michael James McFarland
My rating: 5 of 5 stars
I am fortunate to receive review copies from time to time. It is the proverbial "Box of Chocolates" mentioned by one Mr. Gump. You never know what you're gonna get. In this case...I have to say that if you are a fan of the zombie genre, yet are not familiar with Wormwood by Michael James McFarland, you are missing out.
The zombie scene has been deluged with titles in the past few years...some good, other not so much. I would dare to say that Mr. McFarland is one of the best writers you have not heard of yet...but should. He is exceptional at creating a tight scene...and offering a variety of characters to love or hate. In addition, he is not shy about exposing the darkness that lurks under the surface of humanity.
One of the true strengths of Wormwood rested in the set up. So often, readers of the zombie genre are plopped down in the middle of the story. There is something special about watching a plausible chain of events unfold that bring on the apocalypse. Like the tide, the central characters in this story watch the horror start out east and head toward them with a painful slowness. This is where McFarland really shines. The tension built in the first third of the book is a rarity that you have to read for yourself to enjoy.
I give this book all five of its well deserved stars. I offer no spoilers, but will warn you that there are some scenes that may be a touch brutal. My only fault that I could mention was that I felt the "gas station" scene with the splash of "Deliverance" happened a bit soon in the chaos. While I certainly feel that there is a dark, lawlessness that would ensue, I felt that particular scene happened a shade too soon. That would be my only complaint if I were to nitpick. Regardless, this is a super entry and deserves more attention.
My rating: 5 of 5 stars
I am fortunate to receive review copies from time to time. It is the proverbial "Box of Chocolates" mentioned by one Mr. Gump. You never know what you're gonna get. In this case...I have to say that if you are a fan of the zombie genre, yet are not familiar with Wormwood by Michael James McFarland, you are missing out.
The zombie scene has been deluged with titles in the past few years...some good, other not so much. I would dare to say that Mr. McFarland is one of the best writers you have not heard of yet...but should. He is exceptional at creating a tight scene...and offering a variety of characters to love or hate. In addition, he is not shy about exposing the darkness that lurks under the surface of humanity.
One of the true strengths of Wormwood rested in the set up. So often, readers of the zombie genre are plopped down in the middle of the story. There is something special about watching a plausible chain of events unfold that bring on the apocalypse. Like the tide, the central characters in this story watch the horror start out east and head toward them with a painful slowness. This is where McFarland really shines. The tension built in the first third of the book is a rarity that you have to read for yourself to enjoy.
I give this book all five of its well deserved stars. I offer no spoilers, but will warn you that there are some scenes that may be a touch brutal. My only fault that I could mention was that I felt the "gas station" scene with the splash of "Deliverance" happened a bit soon in the chaos. While I certainly feel that there is a dark, lawlessness that would ensue, I felt that particular scene happened a shade too soon. That would be my only complaint if I were to nitpick. Regardless, this is a super entry and deserves more attention.
Wednesday, December 26, 2012
Dan O Brien's End of the World Playlist
The End of the World Playlist by Dan O'Brien
My rating: 4 of 5 stars
Reading this book, The End of the World Playlist, by Dan O'Brien, I was impressed with his style. His words flow in a literary manner that almost seems too highbrow for the genre.
The story stars in the middle...or the end. The reader feels like he or she is dropped into a scene of something much larger. While the characters are distinct in their nature, there does seem to be too much back story hinted at throughout. This is the only real problem that I had as I read.
O'Brien writes well, and a short story is a nice chance to get away for a few minutes while on the stair stepper or treadmill, but this story has depth that begs to be investigated. I did have one problem with a scene where one of the guys had been bitten. In previous similar instances, the infection was described as being visible, yet this one individual "didn't know what had happened in all the confusion" and then bites one of the others. A small gripe, but one I feel was worth noting.
The read is clean and well edited. I will read more of O'Brien's titles.
My rating: 4 of 5 stars
Reading this book, The End of the World Playlist, by Dan O'Brien, I was impressed with his style. His words flow in a literary manner that almost seems too highbrow for the genre.
The story stars in the middle...or the end. The reader feels like he or she is dropped into a scene of something much larger. While the characters are distinct in their nature, there does seem to be too much back story hinted at throughout. This is the only real problem that I had as I read.
O'Brien writes well, and a short story is a nice chance to get away for a few minutes while on the stair stepper or treadmill, but this story has depth that begs to be investigated. I did have one problem with a scene where one of the guys had been bitten. In previous similar instances, the infection was described as being visible, yet this one individual "didn't know what had happened in all the confusion" and then bites one of the others. A small gripe, but one I feel was worth noting.
The read is clean and well edited. I will read more of O'Brien's titles.
Monday, December 24, 2012
My own Christmas Story...
As the season pounces on us...I want to wish you all the very best. Over the year I have met some wonderful people and made a few REAL friends. So, as I will not be here for the next few days in order to spend the holidays with my family, I leave you this little story...
Yes,
Rindy, There is a Santa Clause
By
TW Brown
Rindy Farmer peeked out from the shadowy
doorway. This house had been a good find, sitting all by itself on a hill
looking out over a vastness that everyone was pretty sure must be somewhere in
Wyoming. A steady rain continued to fall, adding to the gloom felt by everybody
the past few days. Nobody could be absolutely certain, but the general consensus
placed it to be sometime in December. This would be the third Christmas since them. Most folks called them zombies,
not Rindy. That was the nickname she had given her little brother Zimbalist—named after some long dead
television star that her dad liked when he was little.
When her parents brought him home the
first day and told her the name they had picked, she wrinkled her nose in
distaste. From that day, he’d been ‘Baby Zombie’ to her. He was dead now.
Both times.
Same as her parents.
At age twelve, Rindy Farmer had been
trapped in a bathroom while her mom, dad, and little brother clawed at the door.
Then, the soldier came. His name was Morgan, and he had shot each of them in
the head.
He saved Rindy.
Over the next two years, she traveled
with Corporal Morgan. He taught her to shoot. He also taught her not to shoot. Noise always brought more
of them. That was why he also taught
her how to use a knife, a spear—for jabbing, not throwing—and a bow and arrow. He
showed her how to search a room and then secure it after ensuring an escape
route existed.
He taught her other stuff, too. He
taught her how to tell if a can of food was bad, how to make fire with a flint
and the blade of her machete. And he taught her how to hide.
“Never trust anybody,” Corporal Morgan
said time and again. “Especially men.”
“You’re a man.” Rindy had pointed out
the obvious the first time.
“Yep,” Corporal Morgan agreed. “And my
daughter was about half your age.”
“They
got her?”
The corporal nodded. “But not everybody
had daughters. Some men will see you differently.”
Rindy knew what Corporal Morgan wasn’t saying…was too embarrassed to say.
The past few years, she had seen gruesome examples of exactly why he had given
that warning.
Two hundred and thirteen days ago,
Corporal Morgan died. Then, he sat back up. Rindy put him down. Then, unlike
with her brother and parents, Rindy was able to take the time to bury him. Afterwards,
she had been alone for almost a month. Just like when she travelled with Corporal
Morgan, sometimes there were others; sometimes not. One morning, twenty-six
days after she buried Corporal Morgan, Rindy discovered a motel all by itself
on an empty stretch of what was left of a highway. That wasn’t a very big deal.
The big deal was finding Marjorie, Brad, and Amber.
Marjorie was only a few years older than
Rindy. She was Brad and Angie’s big sister. She was also
very pregnant. She and her brother and sister didn’t have a Corporal Morgan. They
had found out the hard way that they couldn’t just trust anybody. Especially men.
Brad, age nine, and Amber, age seven,
didn’t talk anymore. Marjorie told Rindy that they had seen things. Rindy didn’t
ask. She didn’t want to know. The four of them lived in one motel room together
for a week. Rindy didn’t like staying in one place too long.
One morning, she woke up, ready to say
farewell to Marjorie, Amber, and Brad. Only, Marjorie wasn’t there. She checked
in the bathroom…empty. She went outside, peering through the dusty plastic
blinds first just like she’d been taught.
In the room just to the left, the door
was open. Rindy peeked inside, finding Marjorie on the bed. Something was
sticking out between her legs. It looked like tiny feet. Marjorie was dead…she
didn’t have a Corporal Morgan. Rindy covered Marjorie with a blanket and left
the room closing the door behind her.
Just leaving the two little ones wasn’t
a choice. After all, where would she be if Corporal Morgan had just left her behind?
So, she went into the room and woke up Brad and Amber. After breakfast—the last
can of beef stew—Rindy explained what happened and held them as they cried. It was okay to cry, Corporal Morgan said.
Holding everything in wasn’t good for you. When things happened that upset her,
he always told her, “One good cry…get it
all out and move on. It ain’t like the old day when you had time to let one
tiny problem own you for weeks.”
Rindy let them cry. It was obvious that
they needed it, because they cried for a long time. Then something strange
happened, Brad stood up and asked, “Can we leave? I don’t want to stay where my
sister died.”
Little Amber got up next to her brother
and wiped her red, runny nose with her sleeve and sniffled. “Me, too.”
Rindy helped them gather their few
belongings and they began walking up the long, empty road. Two days later they
met Ryan and Penny; they were both twenty-five. Ryan was a cook and Penny was a
dancer. Rindy tried not to giggle when Amber asked if Penny could teach her to
dance.
The two had met at a FEMA evacuation center. One night the
soldiers in charge simply up and left. Ryan said it got bad fast. A couple of
men were ‘hurting’ Penny when he found them. He had a .22 pistol and shot one
of the men. The other man walked away. That night Ryan and Penny left the FEMA center. They’d been on the road
ever since.
The five of them travelled together. Twice
they thought they’d found a place to hold up through the winter. Once, a large
gang rolled into the area. Nobody wanted to wait to find out if they were
friendly, and they slipped out under the cover of night.
The second place, a non-descript house
in a partially burned down development seemed perfect. Even though many of the
houses had burnt down, the whole community was behind a waist-high wall. A
stone’s throw away, a river swept past. Ryan said it was the Platte River. The
blessing became a curse when a terrible storm thundred through. For three days
they watched as the river flowed over its banks, creeping just as slowly and
steadily across the flat plain as any zombie. Every hour it came closer to the
houses. Eventually, water began flowing down the razor-straight grid of streets.
They travelled for two more weeks when
they found the biggest, most amazing house Rindy had ever seen. It sat on a
hill looking over a valley that stretched off to the east and west. The valley
was bordered by enormous rocky cliffs to the north and the south.
Unlike many houses these days, this one
still had most of its windows intact. It stood three stories high and had a
huge fireplace inside that seemed bigger than Rindy’s bedroom in her old house
with mom, dad, and ‘baby zombie’. The only disappointment proved to be the
pantry. Easily the size of a small apartment, it was full of bags and bins. These
people had obviously not believed in food out of a can. Not a single box of
macaroni and cheese. There were a variety of herbs and spices…all rotten and
useless.
Looking around, they found a large plot
that Ryan said was a garden. Of course it was dead and full of weeds, but Ryan
said it held promise. It looked like they had found not just their winter home,
but maybe a place that they could stay. At least that’s what Ryan and Penny
kept saying. Rindy wasn’t so sure. She didn’t like staying any place too long.
The days grew shorter, colder, and
gloomy. Rindy continued to teach Brad and Amber the things Corporal Morgan
taught her. Sometimes Ryan and Penny watched, whispering back and forth. For
some reason, watching her, Brad, and Amber train seemed to make them sad.
One morning, Rindy was out early before
the sun came up. She’d made herself a breakfast; roasting a chunk of pumpkin
and eating it with her fish that Penny caught and smoked a few days before. She
liked going out early by herself. The first day, she’d come back with three
rabbits. That had been quite a feast. She hadn’t been out twenty minutes when
she saw it: an enormous deer.
An hour later, she, Ryan, and Penny were
hauling the field-stripped carcass back to the house. While Rindy and Penny
went to work cutting it up, Ryan and Brad went foraging for some editable
winter greens. Ryan was really good at identifying plants.
Late that afternoon, Ryan and Brad
returned. Ryan was very excited. The two had gone off searching for some greens
and hopefully a few herbs he could use to spruce up the night’s meal. They
found a road, mostly washed out. Curiosity getting the better of them, they’d
followed it. It was Brad who found the sign: Elkhart 2 mi. A town was a mere
two miles away!
“You know what that means?” Ryan asked.
“That we’ll need to be more careful and
keep our eyes open for roamers and stragglers,” Rindy said.
“Gloomy much?” Penny snorted.
“It means that we might be able to
salvage some useful stuff,” Ryan ignored Rindy.
“It will be like a shopping spree,”
Penny said, sounding like she’d just won the grand prize on a game show.
That night, everybody sat around the
fire, eating venison, a bitter salad that Amber took one taste of and refused
to take another, cups of steaming hot water from the creek nearby, and the big
surprise that Ryan had kept hidden and sent Brad for once dinner was
done…apples! One of the houses on the
outskirt of the newly discovered town had a pair of apple trees in the yard. They
were kinda shriveled, but everybody snacked away with ear-to-ear grins.
“You went into town?” Penny asked.
“Naw,” Ryan shook his head, “just this
one house on the outskirts.”
That night, the rest of the talk
centered on the possibilities of what they might find. The next day, Ryan and
Penny left early with empty backpacks. They were gone all that day and night. The
next day, they came back with full packs and huge smiles.
“We got the makings of a regular feast,”
Ryan crowed. “Just in time for Thanksgiving.”
“Did you find turkey?” Amber climbed up
onto a stool next to the counter as Ryan and Penny unloaded their packs.
“Nope, but we got venison, just like the
pilgrims ate, and…” He produced two bottles carefully wrapped. “I found corn
syrup.”
“Ohhhkay,” Rindy raised an eyebrow.
“The perfect sweetener, along with some
cinnamon and ginger I found. I think I can make something close to pumpkin pie.
Just without the crust,” Ryan explained.
This made everybody smile. The next day,
while she was out in the morning, Rindy bagged five quail. To make things even
better, she found a nest with seven newly hatched eggs. She bundled up the
chicks and returned to the house.
“You’re lethal with that bow and arrow,”
Ryan said. Rindy scowled and Ryan raised his hands. “Young lady…sorry.”
“That’s pretty close to turkey,” Penny
offered. “But what’s with the little peepers?” she asked, tilting her head at the
cluster of chicks Rindy arranged carefully in the empty kitchen sink, nestled
in a ratty sweatshirt.
“Maybe we can raise ‘em and use their
eggs,” Rindy shrugged.
“That’s not a bad idea at all,” Ryan
admitted.
That night, they decided it was close
enough to Thanksgiving. The meal was great, and everybody loved Ryan’s pumpkin
custard. None of them could remember being that full—that satisfied—in a long
time.
“All we need is the Detroit and the
Dallas games and it would be just like old times,” Ryan said as he undid the
button on his pants and stretched out on the couch.
“You were into that?” Penny scoffed.
“I’m a guy aren’t I?”
“I miss the Black Friday shopping with my sister and a few friends,” Penny admitted
sheepishly.
“You are one of those people?” Ryan sat up so that Penny could sit at the other end
of the couch. Amber had taken to following the woman everywhere and climbed up
to nestle under her arm.
“And I suppose you were the type that
did all his Christmas shopping on Christmas Eve.”
“Christmas?” Amber’s head popped up. “With Santa Claus?”
Silence.
Everybody looked at each other, hoping
they would speak. Rindy watched Ryan and Penny raise eyebrows at each other and
shrug.
“Well…” Ryan began, drawing that first
word out. “Now that we have a house to live in…I don’t see why not.”
Rindy felt her mouth fall open. What could
he be thinking? Her eyes burned into
the side of his head until he finally glanced her way. What? Ryan mouthed. Rindy’s eyes flash from Amber and back.
“Won’t the monsters get him?” Amber
looked up at Penny with the sincere concern that only a child seemed so adept
at expressing with just their eyes and their hands clasped delicately under
their chin.
“Ummm…well…no,” Penny answered, caught
off-guard. “His reindeer are too quick, and will protect Santa.”
Rindy stormed out of the room, heading
upstairs. She heard more talking followed by squeals of laughter from Amber as
she stalked into the room that she’d claimed. It caught the rising sun in the
morning—when it wasn’t obscured by clouds. It helped her remember something
that Corporal Morgan used to say a lot. “If
you see the sun come up, then you’ve made it through the hardest part.”
Laying on her bed, the food in her
stomach suddenly felt like a lead ball. It didn’t matter that Ryan and Penny
were older; Brad and Amber were her
responsibility. She couldn’t have little Amber’s hopes riding on some imaginary
character from a world that was long since dead. Those days were gone. If this
were that old world, Amber would be at about the age when Santa ceased to exist.
“Hey,” Ryan stuck his head inside the
door. Rindy rolled onto her stomach, turning her face away from him. She had
started crying for some stupid reason.
“What’s so wrong with letting Amber have
a little piece of childhood?” Ryan asked. He sat down at the foot of Rindy’s
bed. “It can’t hurt.”
“Yes,” Rindy insisted. “It most
certainly can.”
“How?”
“When none of her Christmas wishes are
there on whatever day you decided is
Christmas Day…”
“You know what she asked her?”
“What?” Rindy rolled over, curious.
“Candy and a Barbie.” Ryan laughed.
“In case you haven’t noticed, nobody
makes that stuff anymore.”
“Actually,” Ryan smiled. “I found a
bunch of hard candy in the grocery store. I’m pretty sure that some of it might
still be edible.”
“After over three years?”
“It’s not like hard candy spoils. As
long as no holes were made in the package, it should still be okay. And after
this long…even if it’s stale, who’d notice?”
“And the Barbie?” Rindy prodded.
“A bit more difficult,” Ryan conceded.
“But there has to be one in that town, if not in the store. We may have to wash
it up a bit, but that is no biggy.”
“I still don’t like it.” Rindy scowled.
“Keep up that attitude and Santa won’t
bring you anything.” Ryan laughed again and left.
Rindy laid on her back staring up at the
ceiling. There’s no such thing as Santa
Claus, Rindy thought. Still, she couldn’t help but let her mind wonder a
bit. Had it really been over a decade since she sat on Santa’s lap? She’d been six—only a year younger than Amber
is now—and it would be the last year that she believed. All thanks to Richard
Gulley…the stupid boy that sat in front of her in Miss Miller’s class.
A
dress
she thought. How wonderful would it be to wear girl’s clothes again? And strawberries. Take that, Santa. Rindy drifted off thinking of pretty dresses and
bowls of red, ripe strawberries. As she slept, she smiled.
The next morning, Ryan was gone. He must
have gotten up awfully early. Rindy was awake an hour before sunrise and already
fitted out to do some hunting. Penny was a whiz at curing and drying meat. It
would be wise to stock up now. Better too much than not enough. Corporal Morgan
taught her that.
When she came back from hunting, nobody
was outside. That wasn’t such a big deal considering that it had been raining
all day. Rindy was soaked and couldn’t wait to warm up in front of the fire.
As soon as she opened the door, she went
on her guard. It was silent. Drawing her machete, she crept down the entry hall.
She could see the flickering glow of the fireplace and hear the occasional pop
of burning wood.
Reaching the end of the hall, she paused
and took a deep breath. She couldn’t smell anything. At least not anything dead.
Cautiously, from a crouch well below eye level just like Corporal Morgan
taught, she peeked around the corner.
“Surprise!” Penny, Amber, and Brad
yelled.
In the corner, a huge pine tree reached
almost up to the twenty foot high vaulted ceiling. Sparkling decorations of all
kind glittered in the light of the fire. Underneath it was a dozen packages
wrapped in…
“We found some fancy dresses in a box.
Fortunately, the woman must have been huge, so there was plenty of material,”
Penny laughed.
“Penny said that a Christmas tree would
help Santa Claus find us, “Amber squealed with delight.
Rindy glanced at Penny and Brad who
stood behind the excited little girl with dopey grins on their faces. She slid
the machete back in its sheath and walked the rest of the way into the room.
“It’s really nice, Amber,” she said, trying her best to sound enthusiastic.
As soon as she was able to pry herself
away from the happy little girl, she went to the kitchen to clean the two
rabbits she’d bagged. She was just finishing wrapping up the waste and cleaning
the area when she heard Penny scream.
Drawing her blade, Rindy rushed towards
the commotion. She heard Amber’s crying above everything else and it wrapped
around her stomach like an icy fist. Reaching the door, she skidded to a stop.
“Step away from him,” Rindy said, surprised at the calm in her voice.
Everyone was gathered around Ryan. He
looked up at her, the knowledge already in his eyes. His face was waxy and
covered in sweat. Rindy only glanced briefly at the left arm wrapped in bloody
rags.
Penny was verging on hysterics, which in
turn amplified the stress to both Amber and Brad. Rindy took a deep breath, the
smell of death tickling her nostrils, fouling her mouth with its rank
familiarity. She walked down the stairs, and as she reached Brad, she guided
him over next to his sister. Then, with a gentle nudge, she sent Penny to stand
beside the children. With very little effort, she’d managed to get the three in
a group and place herself between them and Ryan.
“You shouldn’t have gone alone,” Rindy
whispered. Then, louder, she said, “Everybody go back inside.”
“What are you going to do?” Penny
sniffled.
“Inside,” Rindy repeated, keeping her
eyes on Ryan.
“Go!” Ryan added, looking past Rindy.
The two waited, Rindy never taking her
eyes off Ryan until the door closed with a loud, ominous click. Once they were
alone, he unslung the pack from his shoulders and held it out to Rindy.
“Found a couple of Barbies and a
surprising amount of candy that wasn’t ruined,” Ryan said, then coughed. “Also,
found a little .22 pistol that you could probably teach Brad to shoot, earrings
for Penny…she said she’d never owned diamonds before, so I figured—”
“You shouldn’t have gone alone,” Rindy
snapped, cutting him off. “Is this supposed to make Christmas better? You going off and getting yourself killed to bring
us things?”
Ryan hung his head, instantly taking the
steam out of her anger. “I just wanted everybody to have something special,”
Ryan rasped.
“And so your present to me is…what?”
Rindy waved her machete in the air and pointed it at his injured arm. “I get to
watch you die, then put you down?”
“Jesus, kid.” Ryan looked up.
“I’m not a kid,” Rindy snapped back.
“Well maybe you should try it every once
in a while,” Ryan said with a warm smile. “That’s why I did this.” He shook the
pack that Rindy still hadn’t taken from him. “It makes me sad to see somebody
so young…who never had the chance to be a teenager…act like a freakin’ soldier.
And the way Amber looks up to you…well…I just wanted her to have a moment of
childhood before you turn her into a Rindy action figure.
“I just wanted to give her a Christmas
morning, one last visit from Santa Claus before she’s drafted into your army.” Ryan slumped and the pack fell from his hand.
He seemed to melt as he slowly sunk to
the ground. He lay still for a moment. Rindy grabbed the pack and removed it
from between her and Ryan. Her eyes stayed fixed on the prone figure in the mud
at her feet. The first sign came from the left hand: it twitched
once…twice…then curled into a claw, digging furrows in the saturated earth. The
head began to rise; the familiar, dry, rattling moan escaped its lips. The face
that looked up at Rindy was a lifeless, slack caricature of Ryan.
With one swing, she brought the machete
down smashing through the crown of the skull with hand-numbing finality. The
body collapsed to the ground as she wrenched the blade free. “There is no such
thing as Santa Claus,” Rindy whispered.
That afternoon they stood over the grave
that Rindy dug by herself. She’d also dragged the body, dumped it into the
hole, and covered it alone. When she was done, she went inside and gathered
everybody. Penny had found a bible, and read Psalms 23. Then, each of them said
something nice about Ryan and returned inside.
That night, she and Penny wrapped the
items they had found in the pack. Together, they agreed to wait a week to
celebrate Christmas. It just didn’t seem right to skip it after Ryan had gone
through so much to make it happen.
The night they declared as Christmas
Eve, Penny recited as much as she could recall of T’was the Night Before Christmas. She and Rindy tucked Amber in,
then went downstairs and set out the rest of the presents. Penny went to bed,
leaving Rindy alone in front of the tree. She sat for a while listening to the
rain. With a yawn, she got up ready for a little sleep before Amber woke the
house.
Rindy Farmer peeked out from the shadowy
doorway. This house had been a good find sitting all by itself on a hill
looking out over a vastness that everyone was pretty sure had to be somewhere
in Wyoming. A steady rain continued to fall adding to the gloom felt by
everybody the past few days.
Maybe tomorrow would help pull them out
of it. Before closing the door, her eyes tried to find the outline of the
marker where she buried Ryan. “Merry Christmas,” she whispered into the
darkness. As expected, Amber woke everybody bright and early. Rindy rolled
over, the chill in the room cold enough to turn her exasperated exhale to a visible
fog.
“Rindy!” Amber burst into the room, a
ball of child-generated electricity. “Santa came! Come look!” Then the child dashed out. The
sound of another door being flung open was followed by “Penny! Santa came! He
came!”
Brad stumbled into Rindy’s room. “We’d
better go downstairs before she explodes,” he yawned.
Rindy sat up and threw the covers aside.
Instantly her body was pebbled with goose bumps. She looked out her window, but
it was so fogged over that she couldn’t see. All that she could tell was that
the sun hadn’t risen yet. The faintest hint of light was barely discernable.
As quickly as possible, she pulled on a
few layers of clothes. Finally satisfied she went out into the hallway. Amber
stood at the head of the stairs dancing excitedly from one foot to the other. She
was barefoot, and wearing the long flannel shirt she normally slept in.
“C’mon, Rindy!” she pleaded, darting to
her and grabbing her hand.
Penny and Brad came in their wake as
they headed down the stairs. Rindy was already trying to figure out how to get
this done as quickly as possible in order to get in some hunting. Christmas or
not, they needed to continue stocking up on food.
Reaching the landing halfway down the
stairs, Rindy froze. She could see outside through the giant picture window. The
ground was covered in a blanket of pure white. A wave of warmth hit her,
drawing her attention to the fireplace where, mysteriously, a raging fire
roared. But that was only the first surprise.
Spilled out across the floor were
brightly wrapped packages complete with bows and dangling tags. Three red
stockings hung from the mantle above the fireplace, giant candy canes poking
from each one. Rubbing her eyes, Rindy continued down the stairs in slow,
halting steps. She glanced back at Penny who was wide-eyed and open-mouthed. Brad
scooted past, joining Amber in the final dash towards the sea of presents.
As Rindy reached the final steps, Amber
hurried back to her, a Barbie clutched in one hand. The other hand shot out
holding an envelope. “This has your name on it!” she giggled, then ran back to
join her brother who was wading into the pile.
Rindy looked down at the tiny, waxy
envelope in her hand. Her name was written elaborately across the top. A
picture emblazoned on the front showed a cluster of bright red strawberries. She
shook the envelope, hearing the whispering rattles of the tiny seeds inside.
“This one’s for you, too!” Brad came up
to her with a package wrapped in blue foil with a silver bow. The tag that
dangled from it was in the same script with her name.
Sitting on the stairs, she opened the
package to discover a beautiful black dress. Her eyes began to water a bit. She
blinked to clear them and noticed something written on the back of the tag. She
picked it up and read: Yes, Rindy, there
is a Santa Claus.
Saturday, December 22, 2012
The amazingly talented Chantal Boudreau
So, the Mayan hoopla is over...time to get back to work.
Today I am pleased to feature one of my favorite writers: Chantal Boudreau. She is not only very talented (all the drawing featured here are her work, which you can find more of in her FERVOR series), but extremely modest. So get to know a bit about her, and then check out some of her stuff. You won't be sorry.
You have been at this for a little while
now, what are some of the best and worst things about being an author?
The
best thing, for me, is having someone actually take the time to tell me how
much they’ve enjoyed one of my books or stories. There are little things too – like getting a
particular scene just right, seeing illustrations other people have done for
your work and knowing it’s so much better than anything you could have managed,
getting an acceptance letter from a publisher who has rejected you every other
time you’ve submitted to them and then there’s just getting to hold something
you’ve written in print. The worst
things are the hours you end up spending on things other than writing, like
editing, promotion and submissions, the frustration of a lack of consistent
submission standards, which means having to reformat stories when submitting
them more than once, the “expert” advice out there that is completely
contradictory, and how slow it is to gain exposure, acceptance and recognition.
What are some of the lessons you have
learned as a writer that caught you off guard?
I’ve
learned that established authors are just regular, albeit talented,
people. That research is an important
part of any story, truth of fiction. That success involves hard work but an
equal element of good fortune, which means your best chance to get anywhere is
to keep at it, until luck happens to run your way along with the hard work.
What can you share about your writing
process with new or up and coming writers?
I
think the best thing to share with them is that I had to figure out what worked
best for me and trying to write the way most others do didn’t work for me. I spent many years struggling with a variety
of formats, styles and processes before I came up with my current process, one
that I’m comfortable with. Not that it
is perfect. There is always room for
improvement, even with close to 20 novel manuscripts complete (I have four
chapters to go on novel #20). So far
I’ve figured out I have a mind that craves structure, so I work best with an
outline despite the fact that many peers shun me for it as being too rigid or uncreative. I need to see the big picture, which means I
have to know the ending before I start, and work towards it. I’m character-oriented – that’s what I value
as a reader, so that’s where my focus has to be as a writer. I had to figure these things out about myself
to understand what would work best for me and why. To know what writing process suits you, I
would advise an attempt at self-discovery – try different things, experiment.
It is no secret that I think you are the
best writer on our shelf. All it will take is the “right” person to discover
you and review your work and I think you could be the next Meyers or Rowling.
How do you see yourself as a writer, and what do you think it will take to get
you over that hump?
I
still have far too many doubts to think I’ll ever achieve that kind of success
– not that this would ever stop me from trying.
I guess I’m still coming to grips with identifying myself as a writer at
all. I’m older, I’m the main breadwinner
for my family, as an accountant, I’m a mom with a special needs child who
demands a lot of attention and I’ve lived my life as a square peg other people
have been trying to jam unpleasantly into their round holes. I’ve been writing since I was very young, but
didn’t have much luck with it and wasn’t at all prolific. I liked writing but I didn’t consider myself
a writer. Then something just seemed to
click a few years ago (about three and a half years, actually) and in that time
I’ve written 18 novels and more than 50 short stories. All I had to show for the more than three and
a half decades before that was one and a half novels (that needed a great deal
of editing) and a handful of shorts. Now
that I’ve had my work published and I’ve received plenty of encouragement, I’m
warming up to the idea, but I probably picked the worst possible time to make
my start. The industry is in a massive
state of flux, the market is flooded with indie writers, traditional publishing
is hesitant to welcome newbies aboard and the publishing scene is all about
marketing and promotion, not necessarily the quality of your work but its
market appeal. I’m horrible at selling
myself. I put in an earnest attempt, but
I think unless I get a lucky break it’s going to be a long hard trudge with
little in the way of sleep before I can drum up any amount of exposure and
recognition.
If you were to up and change genres,
what would be your next choice?
That’s
tough. I’ve dabbled in several speculative fiction genres, mainly horror,
fantasy and dark fantasy, with a little sci-fi in there. I’ve written some erotica, which I think I
could do, some romance, which is much more of a stretch for me, and thrillers,
which worked out okay. I’m probably most
inclined to thrillers after speculative fiction, but it’s not that far of a
leap between horror and thriller.
What could traditional publishing learn
from the Indies? And how about the other way around?
Oh, I hate getting tangled in the middle
of that mess. Everyone has their
opinions and they differ to extremes. Here’s
where I stand on this. The way I see it,
traditional publishing used to offer prestige, not so much now unless you
happen to be a bestseller, and they still offer better distribution, but they
are obsessed with existing trends and mass market appeal and trying to
standardize everything to what they deem “saleable”. It can kill (but not always) what makes a
writer’s work really special. What makes
it onto the shelves is dependent upon the tastes of a select few. And they treat authors (once again, unless
you are a bestseller) with little respect or value (“you are lucky that we are
willing to even look at your manuscript...”) With Indies there’s so much chaos
and volume. They come across as
inconsistent and unstable because, as a group, quality is all across the
board. Some Indie books are disastrous
and need a total make-over, inside and out.
Others look really pretty and have a great blurb, but the editing or
plot continuity or character development might be lacking. Then again, you’ll come across some real high-quality
gems that should be winning recognition and praise but have been tossed aside
by traditional publishing for being too unorthodox or counter-culture. A lot of times, they just get lost in the
mix. There should be a happy medium, a
“best of both worlds,” but there isn’t.
The writing community can be its own
worst enemy at times. What are some of the issues you see cropping up?
Solutions?
The
more I see the less I want to read about it.
You’ll see bickering over simple things like writing style and processes
such as pantsing vs plotting, marketing issues, spam, reviews – if and how to
respond to them and whether or not it’s okay to buy and sell them, critics,
traditional vs indie, complaints about distributors, agents, publishers and
paid services like proofreaders or editors, sometimes deserved, sometimes not. You see a lot of nitpicking, insistence that
“my way is the right way so you are wrong”, and badmouthing writers who are
successful, primarily because they are
successful, the result of jealousy, I would guess. I get tired of the arguing and bitching. It would be nice to see writers respecting
other people’s differences, recognizing their peers have value even if they
don’t agree on everything, and offering each other support where possible. You do see that, but just not enough of it.
The social media is…
A
blessing and a curse. I doubt I’d be
published or have any support system in place without it. It keeps me well-informed and allows me to
connect with people I wouldn’t be likely to otherwise meet. I have a lot of great new friends thanks to
social media. On the other hand, it is a
total time sink without the level of results one should expect for the amount
of time and effort most people put into it.
It’s a mixed bag of feedback where you can get well-presented praise or
uninspired flattery, constructive criticism or mean-spirited trollish bashing. It also exposes you to a lot of scam artists
and people trying to sell you something you don’t really want or need.
Share some information about your work
with us: (feel free to be as in depth as you like)
My first (and second) horror submission
ever went to May December Publications, but it actually ended up being my
second acceptance. In the interim
between submission and acceptance, I received an acceptance the same day I
submitted for another short story (my first sale.) That was my start. Since then, MDP has accepted almost
everything I’ve sent in, with only one exception so far. MDP gave me my first chance at publishing a
novel, beginning with my dystopian science fantasy series, Fervor (now with its
third release) and my first chance at sharing my standard fantasy work, my
Masters & Renegades series (a third book in this one coming soon.) It has been a great experience.
What is one question
you are sick of being asked—not in interviews, but by individuals who know you
write?
“When
am I going to see your books in local bookstores?” The local bookstores typically only offer
books from big traditional publishers and local small presses. Since my stories have been in books published
by small presses in the US and the UK, they aren’t exactly considered local
here in Nova Scotia. I have a couple of
recent acceptances by small presses in Canada, scheduled for release in 2013, but
they aren’t local to Nova Scotia either.
Unless there’s sufficient demand here for my work at the local
bookstores, you’re not going to be likely to see my books there.
How do you deal with
negative reviews?
I try to avoid reading them unless I’m
in the right mood. I find the really
negative ones rarely have any constructive criticism to offer. They usually go on about how your style
doesn’t match that of their favourite author or some other matter of taste –
not something you can put to good use.
The mixed reviews, part positive, part negative, are much more likely to
offer some useful criticism. I try to
take those in and then let the critique sit for a while so I can properly
absorb what was said. If a reviewer has
been particularly nasty, I’ll try to find a way to vent without naming names or
pointing elbows, just to get the frustration out of my system (go ahead and say
you don’t like my book, but personal attacks are uncalled for.)
How much reading do you
get in, and can a writer excel at his or her craft if they do not read?
I read, but about a quarter of what I
used to, and it’s not just because of the writing. There’s so much more to getting your work out
there that sucks away far too much of your spare time. I still make a point to read regularly, my
favourite authors and a sampling of things that are new to me, and I do think
it’s important for a writer to read.
There are always things you can learn from other writer’s writing.
When does self-promotion
cross the line and become a nuisance?
I can think of a few ways. If you friend or follow me on some social
media site and the only thing I ever hear from you is “buy my book,” that’s too
annoying. And people who invite you to
an event and then post two dozen promo posts within the first hour so that your
e-mail is full of their spam – that really drives me batty. I can guarantee I’ll be declining that event
and purging those e-mails the first chance I get. There should be a real effort to connect, a
little subtlety, and some give and take.
Constant, repetitive and in your face absolutely turns me off.
What projects are you
currently working on?
I’m finishing up a NaNoWriMo
project. I wrote 70,000 words in
November, but I still have 3 ½ chapters to go.
It’s a fantasy novel, called The Trading of Skin, based on Sami legend
(the aboriginals of northern Scandinavia.)
I have a couple of books waiting on edits (Providence and Victims of
Circumstance), I need to format the second book in my Snowy Barrens Trilogy and
I have a Christmas horror short story I actually wrote long-hand (I almost
never handwrite anything anymore) that I need to type up. I also have a fan fiction story request from
a writer friend that I need to work on.
And I’m always in the middle of some form of illustration.
What is one thing about
you that would surprise the readers who do not know you personally? I’m not really
sure. I’m not that outlandish. I have interesting hobbies and an ordinary
day-job. I wouldn’t say I’m necessarily
an open book but I don’t keep zombies in my basement either – despite what some
people may have you believe.
Is there anyone you’d
like to give a mention? A
shout out to some of my fellow MDP writers like DA Chaney, Bennie Newsome and
Rebecca Snow (there are many more but if I try to list them all I’ll be here
until next March.) My writer friend Ren
Garcia who is always supportive (which is fantastic because his work is
fabulous,) Robert J Sawyer for the occasional pep talk – for which I’m truly
grateful because he’s a very busy (and accomplished) man - and all my talented
friends at the Guild of Dreams. It’s
very inspiring to be surrounded by so many great writers.
What is in your “to be
read” pile right now?
I have a
stack of MDP books, I’m in the middle of “The Unwilling Warlord” by Lawrence
Watt-Evans, “The Onion Girl” by Charles de Lint and two different horror anthologies,
and then I have dozens of freebies I picked up on my Kindle. It’s so hard to decide what to read
first..next...well, you get my drift.
Links:
Website:
Facebook:
Amazon Author Page:
Scribd.com:
Goodreads Author Page:
Blog (Word Blurb):
Subscribe to:
Posts (Atom)